Carey Mortimer

  • Rosy Garlics

    CAREY MORTIMER

    Rosy Garlic

  • egg tempera, silver leaf, gessoed, panel, mortimer

    CAREY MORTIMER

    Me and Lily

  • Sketch on Gold

    CAREY MORTIMER

    Sketch on Gold

  • mortimer. paint, traditional, sardinia

    CAREY MORTIMER

    Notes from the Garden II

  • mortimer. paint, traditional, sardinia

    CAREY MORTIMER

    Prayer of the Heron

  • mortimer, fragment, fresco, egg, tempera, silver leaf

    CAREY MORTIMER

    Fragment

  • mortimer, cage, painting, fresco

    CAREY MORTIMER

    Hanging on a Line

  • Flower, Maryam, mortimer, still life

    CAREY MORTIMER

    Flower of Maryam

  • egg tempera, moroccan, mortimer

    CAREY MORTIMER

    Moroccan Musings I

  • mortimer, riches to rags, fresco, egg, tempera

    CAREY MORTIMER

    Riches to Rags

  • egg tempera, moroccan, mortimer

    CAREY MORTIMER

    Moroccan Musings II

  • Moroccan Musings IV

    CAREY MORTIMER

    Moroccan Musings IV

  • The Everlasting Cycle, egg tempera, mortimer

    CAREY MORTIMER

    The Everlasting Cycle

CAREY MORTIMER -  'Still Lifes', exhibition series, 2021

CAREY MORTIMER -  Still Lifes, 2021

Behind the Scenes, Carey Mortimer, 2020

CAREY MORTIMER - Asfodelo Dreaming, 2015

CAREY MORTIMER - A virtual tour of her solo show at Thackeray Gallery, 2015

CAREY MORTIMER - Tears of Light, 2013

Discovering fresco set Carey Mortimer on her path as an artist. After graduating from City and Guilds of London Art School in 1986, she studied under Italian restorer Leonetto Tintori, who introduced her to the medium of the ancients and encouraged her to unravel it.

Lime, sand, pigment, yolk . . . how to make new the alchemies of the past? Carey likes to unzip the science: fresco is painting turned to stone, egg tempera is hardening strings of protein, gold is stable and stays gold forever. First know the rules to break them. And if nature is already divine, why compete? Freed from its ordinary context, a gathered leaf / mermaid’s purse / bowl or feather can take on a different function altogether: ‘A painting is only a rearrangement of matter into another form.’ The artist as chemist of the imagination. The studio as crucible, microscope, chantry.

Past and present speak in their own ways. Alert to the languages of both, Carey blends age-old techniques and her own contemporary sensibility to create surprising visual poems. Her paintings acknowledge the difficult noise of our time, but by reminding us to see beauty they offer a healing perspective, and in doing so help restore balance.

A Dundee University MPhil, Carey has been exhibiting with the Thackeray Gallery since 1994. Her work can be found in many public, private and corporate collections worldwide, including Aviva Headquarters, London; Farleigh Hungerford Castle; Firmdale Hotels, London; and Jones Day, London and New York.

Maria de Jong.